Bauhaus color

Bauhaus color

The walls are painted to match the architectonic divisions of the room precisely. Just as the room is divided into two sections, the ceiling is divided into two rectangular fields of color.

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great images and written as a diary….fabulous feeling of being there in that visit…touches on the philosophy of the Bauhaus Movement…fantastic!

Originally published as “Im Bauhaus,” Zwrotnica 12 (1927) . Translated from the Polish by Steven Lindberg. From Between Two Worlds: A Sourcebook of Central European Avant-Gardes, 1910-1930. (The MIT Press. Cambridge, MA: 2002).

See on Scoop.itMid-Century Modern Architects and Architecture

Jean-Michel Basquiat & Keith Haring  – Art for All

Jean-Michel Basquiat & Keith Haring – Art for All

The accessibility of art to all classes of society is an important subject amid a frightening landscape of budget cuts. One of the core beliefs of the Bauhaus movement suggested that art should strive to meet the demands of every member of society (from doctor to janitor) and that there should be no division between form and function. Jean-Michel Basquiat and Keith Haring were two artists who insisted on working in environments that would share their creative talents with everyone. Subway stations, city streets and abandoned industrial warehouses all were cloaked in the beauty of their work. From teenage graffiti artists in New York City, to highly acclaimed painters, both men helped to usher in a new style of artist who conveys the electrifying pulse of large metropolitan areas through their inspiring work.

Jean-Michel Basquiat added his distinctive creative voice to both the Neo-expressionism and the Contemporary art genres. Note how he walks a fine line between radical spontaneity and restricted control in the three examples below. Many of Basquiat’s works contain a captivating political message such as poverty versus wealth, or the surprising similarities between the Atlantic slave trade and the Egyptian slave trade.


Keith Haring is known for his vibrant contributions to both the Pop art and the Contemporary art genres. The graffiti influences of his teen years stand out in the colorfully bold cartoon figures seen below. Haring enjoyed conveying the importance of life and unity through his work, and later in his career, also included socio-political themes, such as anti-Apartheid and AIDS awareness. The painting, “Andy Mouse”, is a playful representation of his own friendship with renowned artist Andy Warhol. haringkeith_haring

Mid-Century modern furniture reflects the dreams of Gropius and many of the Bauhaus era to provide a functional, affordable and consistent product that reunites both arts and crafts in an artistic form that any socioeconomic class can enjoy.  Jean-Michel Basquiat and Keith Haring shared their creative genius with the public in a similar generous manner and should be celebrated for their impact on keeping the joy of art free.

Adventures in Decision Making – Part 1 or A Walter Gropius Anecdote

There are many integral factors that should be considered when making key decisions about  Mid-Century Modern designs. Color, size, shape, “feel”, and price should all be appropriately weighed in the mind of the consumer, but this quick story from the education of a well-known Harvard trained architect illustrates that there will always be unanticipated variables. As a side-note, the teacher discussed below is the famous Walter Gropius, who is regarded as a pioneering master of modern architecture.

“My mentor was Gropius, whose ideas were comparable to those of Mies van der Rohe. It’s rather sad, but after all my time at the feet of the master, the first thing that comes to mind after all these years is that silly conversation about the entrance stair to one of my building designs.”

“I designed free ‘floating’ concrete entrance stairs with steel reinforcing bars and an open area underneath. I thought it was quite sculptural and added to the overall lightness of the approach. When Gropius came for his critique he pulled at his eyebrow and contemplated my efforts for what seemed like an eternity. He then stated these immortal words which have been seared into my memory in his Germanic accented voice: ‘Roy do not do ‘dis – dogs will get under there and fornicate!’”

“These were hardly the words expected from a guy who to me was a near deity, but I have cherished them ever since. As far as I know, no dogs have ever had illicit carnal affairs under one of my structures.”

This is the first part of several amusing anecdotes that we are gathering directly from the memories of key figures in the colorful history of modern design. Please check back soon for another quirky true story.