Mention a place like Havana, Cuba and many images come to mind. Displayed the world over, photographer Alberto Korda’s famous image of Che Guevara probably pops up, as well as outdated military apparel and classic cars; cigars, Ernest Hemingway, communism– perhaps all of the above. Mid-century modern architecture is most likely not found on that list. Any quick searches of Cuban architecture would bring up salt spurned colonial structures of an eclectic and grandiose appeal. A quick walk down a side street would be as if you had tripped and fallen into a colonial Easter egg basket. Many would be surprised to know that Havana also boasts a fair share of Art Nouveau and Art Deco in its public buildings and residential homes as well as Mid Century Modern. A blog we follow, mid-century-home.com http://www.mid-century-home.com/mid-century-modern-homes/mid-century-modern-havana/ recently posted an article concerning this very subject, and with such personal ties to Cuba, PGMod couldn’t pass up the re-blogging opportunity, nor the subject. My late, great, grandfather Lee Minor, spent several years in Cuba during the Fulgencio Batista years. Coincidentally which just so happens to be the same time period in which most of these examples of mid-century happened to pop up. I mean, it can’t be that surprising that a place in which 50’s automobiles are so famously prevalent, that architecture from the same time period would be equally preserved. PGMod wishes to give a nod to Cuban modernism and the influences Cuban architects share with the greater architectural community.
Author: Joshua van den Berg http://thechronicmasticator.com/
In 1939 Cuba’s first national congress of art gave a statement: We must strive to achieve a typically Cuban Architecture governed by the spirit prevailing in our country, always subject to the new modalities of architectonic expression….both form and spirit should abide by the atmosphere of the place and region where the new building is to be located….then continuing on this theme, Eugenio Batista emphasized the importance of the continued relevance of the Cuban tradition of patios, portico’s and louvers* on the materials level and gaiety and cleanliness on the spiritual plane. (excerpt from, The Havana Guide:Modern Architecture1925-1965 by Eduardo Louis Rodriguez
* three P’s: patios, porticos and persianas (louvers) = The ABC’s of Tropical Architecture Eugenio Batista
“Many of Havana’s most notable modern buildings have remained relatively unchanged since their initial construction. The economic forces of real estate development, which long ago would have demolished similar buildings in other cities, have been denied access to Havana, so it is virtually like a time capsule. However, this ironically fortuitous situation is likely to end when U.S. travel restrictions ease and the embargo is eventually lifted. ” [Leland Cott, ReVista,summer 2010] Yes, things are changing according to newswire reports… the end of both real and symbolic obstacles to travel by islanders has begun, though it is not expected to result in a mass exit, it is quite a statement to the Cuban people. With a passport and a national identity card, you can be off to America for a visit with loved ones.
Something else is changing here in the US as well. The Wall Street Journal reports that the other side to this story is that Cubans would be allowed to travel in a “legal, orderly and safe manner” and that those who had defected from Cuba more than eight years ago, including scores of doctors and athletes, would be considered eligible to visit Cuba.
As a side note, I was born and raised in Miami, my dad and his three brothers traveled frequently to Cuba and had a business there during the 40’s. I was raised on stories of Cuba, and lived not far from the famous Calle Ocho. My dad’s clear blue eyes glossed over with love when he spoke of his time spent in Cuba. From Jai Alai, Hemingway, Cuba Libre’s, to La Floridita, and on and on, but especially the Cuban people. As the story goes, my mother made the decision for us to live in Miami not Cuba. My father returned to Cuba in 2004 at 90 with the Hemingway Society, traveling via Mexico….it was a meaningful continuation and culmination of his long love affair with the island.
The political climate, leading to the revolution was a strong component of Cuba’s mid century modern story. ” Architecture has the power to do more than provide shelter for human activities and everyday life—it has the power to embody the highest values of our culture. It can also express the ethos of a particular historical moment and provide inspiration for the generations that follow.
The now-famous golf game of January 1961 (http://www.latinamericanstudies.org/che/che-fidel-golf.jpg), after which Fidel Castro and Che Guevara decided to build Cuba’s National Art Schools on the manicured grounds of Havana’s famed Country Club—once the exclusive preserve of the city’s elite—has by now entered into the mythology of the Cuban Revolution.” Excerpted from a paper about Castro by John Loomis:
Following is a link to a video documentary about the National Art School…..Cuba’s allure and mid century architecture and it’s unique expression of modernism made in 2011: Unfinished Spaces: Cuba’s Architecture of Revolution….Directed by Alysa Nahmias and Ben Murray
La Revolucion 1960-2000
There were many architects that were associated with Modernism in Cuba. This list is in no measure complete: Eugenio Batista, Nicolás Quintana, Leonardo Morales, Max Borges, Ricardo Porro, Roberto Gottardi, Vittorio Garatti, Richard Neutra, Phillip Johnson, Pedro Pablo Mantilla, Maria Teresa Fernñdez, Antonio Quintana and Manuel Guitérrez.
The Modern Regionalist ideas developed in Cuba make that movement one of the most brilliant moments of Cuban architecture. With their works, Cuban architects substantiated Ernesto Rogers statement:
“Modernity does not contradict tradition, it is actually the most developed instance of tradition itself.”