Calatrava’s Milwaukee Art Museum

Calatrava’s Milwaukee Art Museum

While visiting New York in 2015 I watched the construction of Calatrava’s Occulus AKA The Transportation Hub, at the World Trade Center sites. The experience was the beginning of my interest in this man of creative genius. He is admired and distained, loved for the wildly imaginative creations of his mind, and hated for his arrogance and more.  For me it all comes down to the visual experience first, his work is clear and precise art, Beauty in the eyes of this beholder.

Approaching the Milwaukee Art Museum, which sits on the edge of Lake Michigan, was a heart pounding experience. The graceful, white structure against the blue sky and wispy clouds is so simply beautiful. The fact that it breathes in it’s location is an added bonus, too often there is distraction and competition, but this Calatrava owns the vista and it is glorious.

As my beloved mom use to say, “beauty is as beauty does” and the art museum fulfilled that dictum of beautiful form and successful function.  It is truly a “precious” museum, full of substance but not overwhelming, a perfect amuse bouche.

Dame Zaha Mohammad Hadid  1950-2016

Dame Zaha Mohammad Hadid 1950-2016

With a sad heart I thought I would share some quotes, some posts and just a smattering of the rich legacy Zaha left behind….



Zaha Hadid: 'Would they still call me a diva if I was a man?' By Sheena McKenzie, CNN

                               Zaha Hadid: ‘Would they still call me a diva if I was a man?’
                                                     By Sheena McKenzie, CNN

“Zaha Hadid’s work transcended a specific gender, religion, culture or space.” & pinterest
Zaha Hadid 1950-2016: following the death of Zaha Hadid, we’ve updated our Pinterest board dedicated to her buildings to include more of the Pritzker-Prize winning architect’s ambitious and critically-acclaimed work.     #‎architecture‬ ‪#‎pritzger‬ ‪#‎architects‬ ‪#‎zaha‬ ‪#‎zahahadid‬ ‪#‎starchitects‬

zaha-hadid-architecture-lifetime-projects-pinterest-board-dezeen-sq                                        Images via Dezeen and Pinterest



“Her architecture was modern and futuristic with very noticeable sensuous lines, she brought a femininity to Modernism.”
‪#‎ZahaHadid‬ image via Curbed
The London aquatics centre built for the 2012 Olympic Games. Photograph: John Walton/PA
drawing 1980’s

Hadid 1

Rem Koolhaus “I think she made an enormous contribution as a woman, but her greatest contribution is as an architect.”



“Step into one of her best buildings, and you feel anything is possible” Amanda Baillieu


Zaha                         Nick Hufton and Allan Crow have shared their favourite images

Zaha Hadid 1950-2016    ParadigmGallery/facebook April 4,2016images via Dezeen : Hufton and Allan Crow have shared their favorite images of her buildings…via Spotlight Zaha Hadid
zaha-jadid-design2(Virgile Simon Bertrand, Courtesy of the RIBA Architecture & Zaha Hadid Architects)
zaha-hadid-design3       (Christian Richters, Courtesy of the RIBA Architecture & Zaha Hadid Architects)



“There are 360 degrees, so why stick to one?”                                           Zaha Hadid

“As a woman, I’m expected to want everything to be nice and to be nice myself. A very English thing. I don’t design nice buildings – I don’t like them. I like architecture to have some raw, vital, earthy quality.”                                      Zaha Hadid

An Architect Reflects From Across The Pond

An Architect Reflects From Across The Pond

Original post March 2014

I am pleased to introduce my guest this month, Meto Mihaylov, Architect · Basel, Switzerland ·  Meto spent Christmas with our family in 2006 when he attended Westtown School in Pennsylvania, with my son Joshua.  Lo and behold, we recently connected again (thank you Facebook), and my charming Bulgarian friend is now an architect!  So naturally I queried….


Q:  What led you to become an architect, your favorite architect/s?  Did your time living in the U.S. influence you in any way?


A:  My name is Meto. I come from Bulgaria. I have lived and studied in high school for one year in the USA. After this I studied architecture at a University in Denmark and now work as an architect in Switzerland.

In my culture it is normal to pick a profession at a very early age. I was a little kid when I saw the ancient city of Plovdiv for the first time. I fell in love with its old buildings and with its atmosphere, and decided that I wanted to become an architect.




NYC made the biggest impression on me when I was in the USA and solidified my intention to study and do buildings. Please visit this city at least once in your life if you can.

At University I learned more and more about the contemporary work of the 20th and 21st century. It is scary to see how Professors in Europe teach architectural theory no different than religion is taught in a religion class. “Le Corbusier is God, and if you question any of what I tell you- you are dumb”. I like it when people question things and point out defects in buildings. This is a constructive way to work and achieve better results. Architects must not be the ones who judge architecture because they are too immersed into it and lose the objectivity. We do not build for architects- we build for people, for children, for shopping, for doctors etc. I like to ask friends and family to give me their opinion on my buildings during the design process, because their view tends to be much more objective, human, and overall better than when I ask my colleagues.

My list of professional influences reflects my worldview. There are certain architects whom I like, but I always try to be fair and see the pros and cons in their work. I do not believe in unconditionally worshiping an architect like I see many architect friends do. The character of a person, in architecture, always shows up in the work, so I like to study architects also as individuals, in order to understand their thought process better.

I like the organic form of Oscar Niemeyer but even more I like his overall organic approach to life. The houses of John Lautner have a similar effect- a completely revised space which makes life better. He was also very good at sustainable budget houses, not only the houses for the rich, like the one in the movie “The big Lebowski”. When it comes to the ever-present-for-good-or-bad field of Modernism, I find Paul Rudolph to be the one who really cracked the code of the modern form and proportion, overcoming the haunting sterility of modernist structures.





I recently had the good fortune to hear SeARCH’s Bjarne Mastenbroek present his way of seeing things and I found a lot of common ground with him. He works in the real world, where he has a budget amidst a financial crisis, and has to build residential buildings and schools in Holland two times cheaper and three times better than twenty years ago. When you manage to do something like this, you are truly creative and innovative, and a real architect, unlike someone like Zaha Hadid, who gives someone sketches of an unknown spaceship, budget- unknown, energy requirements for building it and after- unknown, building time- unknown, “oh, and by the way- I designed it but you have to build it yourself, because I can’t”. So, back to Mastenbroek, and I will leave you with him. He will build the first passive hotel in the ski resort of St. Moritz in the Swiss Alps, where, until now, only the richest of the rich built the most unsustainable, most expensive villas possible (Norman Foster built his own house there). Mastenbroek made a research and he will heat the hotel with 60 cows, which in winter will produce more heat just in staying inside glass rooms, than a radiator or floor heating. No cars allowed, you will have to reach the place on a dog sled. The sloping roof will be a part of the ski slope. The Swiss government, based in the capital city of Bern, is going to discuss changing the law of the Canton (State) of Graubünden in 2014, so that the crazy Dutchman can do the cow hotel. Keep an eye out, you will see it happen soon.




Be careful with architects. I can tell you that this industry often makes people extremely selfish and gives them a mania for fame. They stop wanting to make the world a better place and start wanting only attention. Please do not trust that single persons create buildings just because the media find it much easier to give you a single name. Even Mastenbroek cannot complete a house alone. Buildings are done by dozens of people and it is real teamwork that brings about a great result in the form of a built structure. Thank you for reading this and look for the architecture that makes a true innovation.


Architect Meto Mihaylov Zentrum Paul Klee (by Renzo Piano) — in Bern, Switzerland. Paradigm Gallery's photo.

Architect Meto Mihaylov
Zentrum Paul Klee (by Renzo Piano) — in Bern, Switzerland.
Paradigm Gallery’s photo.