“D” is for Deganello
Paolo Deganello via Interiors – Culture dell’Abitare
“Nowadays, designers have to go against the market, they have to head in an ecologically sustainable direction. They have to be brave enough to bite the hand that feeds them,” Paolo Deganello declares decisively.
Paolo Deganello was born in Este (Padua) in 1940. After graduating with honours from the Faculty of Architecture in Florence in 1966, he opened the studio Arquitectura Radical Archizoom Associati that same year, along with Andrea Branzi, Gilberto Corretti and Massimo Morozzi. He worked at the studio until it disbanded in 1972. He then began freelancing in Milan, which he still does today, combining his architectural and design projects with teaching positions. Since 2006, he teaches at ESAD in Matosiñho (Oporto) and since 2008 at the Architecture Faculty in Alghero (Italy).
His work is featured in the collections of the Victoria and Albert Museum and the Design Museum (London), the Museum of Modern Art (Toyama, Japan), the Denver Museum (Denver, USA), the Vitra Design Museum (Weil am Rhein, Germany), the Museo do Design of the Cultural Centre of Belem (Lisbon) and the Museo del Design della Triennale in Milan. via experimenta magazine
A pair of “Torso” high back sculptural chairs redone in silver Pewter leather designed by Paolo Deganello for Cassina in 1982. Visually interesting and comfortable.
Paolo Deganello Regina chairs for Zanotta Italy 1991
Designer: Paolo Deganello
Material: Leather & Cowskin
mies’ chaise longue, 1969.
design archizoom .manufactured by poltronova.
courtesy paolo deganello
Playful 80’s Italian sofa with serious style. Seat in leather and back upholstered in a specially-commissioned Jack Lenor Larsen material entitled “La Madre” (“The Mother”). From Deganello’s “Torso” series for Cassina. 1stdibs
“When Paolo Deganello, cofounder of the Archizoom group from Florence, Italy, presented the “AEO” chair in 1973, it attracted great attention. The chair is undeniably comfortable, but opinions differ on its unusual appearance. One side regards it as a caricature of the robust television chair, the other as an icon of a new functional aesthetic. Deganello does not comply with a particular aesthetic convention but instead sets the different qualities off against each other.” Vitra Design Museum
Vitra Design Museum
Production: 1973 to the present
“We need to turn design inside out, like a glove”
Paolo Deganello 06/30/2010
Based on his participation in the seminar Less is Next held on World Food Day, Paolo Deganello uses the crisis as a starting point to reflect upon the kind of role architects and designers should play in organising a fairer professional practice, rooted in the defence of new, ethical values.
He goes on to say, “now that we are faced with economic crisis and the ever more dramatic destruction of the planet’s resources. My proposal, which I had already been advocating for some years, was that we must change all our schools of design into schools of socially responsible and/or sustainable design.”
C is for Castiglioni
“Start from scratch. Stick to common sense. Know your goals and means”.
Achille Castiglioni (February 26, 1918 – December 2, 2002) was a renowned Italian industrial designer. He was often inspired by everyday things and made use of ordinary materials.He preferred to use a minimal amount of materials to create forms with maximal effect.
Achille Castiglioni was born in Milan and studied architecture at the Politecnico di Milano University and set up a design office in 1944 with his brothers, Livioioni Castiglioni and Pier Giacomo Castiglioni. In 1956, Castiglioni founded the Associazione per il Disegno Industriale (Association for Industrial Design, ADI). Castiglioni taught for many years, first at the Politecnico di Torino, and in 1969 he led a class in Industrial Design at the Politecnico di Milano.
MoMA’s permanent collection in New York hosts 14 of his works. Other works may be found in the following museums: Victoria and Albert Museum in London, Kunstgewerbe Museum in Zurich, Staatliches Museum für Angewandte Kunst in Munich, Design Museum in Prato, Uneleckoprumyslove Museum in Prague, Israel Museum in Jerusalem, The Denver Art Museum, Vitra Design Museum in Weil am Rhein, Angewandte Kunst Museum in Hamburg and Koln
Achille Castiglioni, Sella telephone stool, 1957, for Zanotta (designed with Pier Giacomo Castiglioni).
1980’s ‘vintage’ Leonardo table, Achille Castiglioni Architectural trestle work table
Pin by Ryan Tam on Tables | Pinterest
the achille castiglioni effect
The famous Arco Floor Lamp with its elegant marble base was designed in 1962 by Achille Castiglioni and Pier Giacomo Castiglioni for the Italian manufacturer Flos.
Design is one of the highest expressions of twentieth-century creativity, and Achille Castiglioni is one of its greatest masters. His objects stand as clear examples of rigorous method, technical skill, exuberant talent, and wit, combined to achieve a beauty that is fulfilling on both a rational and an emotional level. His work exemplifies the ideal of good design.
With his functional and purist yet playful objects, Castiglioni has shown that form and function, while certainly the main ingredients for successful design, cannot be a designer’s only concerns. He has thus contributed invaluably to updating modernist design to contemporary modern.
Department of Architecture and Design
Excerpt from MOMA exhibition
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