Finn Juhl (30 January 1912 – 17 May 1989) was a Danish architect, interior and industrial designer. Juhl was most notably known for his furniture design and for introducing Danish Modern to America in the 1940’s.
“Juhl’s life was, in fact, a roller coaster of fame and obscurity. High-profile projects in the 1940’s and 50’s (including the Trusteeship Council Chamber, the Danish ambassador’s residence in Washington, DC and all of SAS Scandinavian Airlines’ air terminals in Europe and Asia) brought him international recognition, and he organized many of the exhibitions — including the “Good Design” exhibit in Chicago in 1951, and another at the Metropolitan Museum of Art in New York in 1960.” In Copenhagen, A Renaissance for Finn Juhl By Stephen Brookes • Modernism Magazine •
Salto & Sigsgaard. The restoration of the Finn Juhl–designed United Nations Trusteeship Council Chamber, New York. Photography by Hans Ole Madsen. Image via Salto and Sigsgaard pinterest
“One cannot create happiness with beautiful objects, but one can spoil quite a lot of happiness with bad ones” – Finn Juhl
Pelikan is a wonderful example of Finn Juhl’s design. Inspired by the modern “free art” of the time, its organic shape and fluid lines are so inviting. Via takesunset.com
Unlike many of his contemporaries in Scandinavia and the rest of Europe, Juhl was as interested in form as in function. “A chair is not just a product of decorative art in a space,” he said. “It is a form and a space in itself.” His attention to form led him to design chairs where the seat is separate from the frame (images 5, 6 & 8) and sofas constructed out of floating shapes.http://www.apartmenttherapy.com/
Item Description Bwana Chair, designed by Finn Juhl, Denmark 1962. prod. by France and Son, Denmark 1962. teak. -via deconet.com
Juhl gave a soft edge to the lines of wooden modernist chairs, favoring organic shapes which often took the wood to the limits of what was possible. He generally used teak and other dark woods, unlike many of the other proponents of the Danish Modern movement who often used oak in their designs.
He was influenced by the abstract sculptor Jean Arp, an influence which is seen already in his early Pelican chair but it remained a motif throughout his career. Also influenced by tribal art, Juhl exhibited the Chieftain chair with photos of weapons from anthropological studies. Wikipedia
Bradley: “Denmark is a Disneyland for adults, for design geeks.”
Frank Owen Gehry was born in Toronto, Canada on February 28, 1929. He studied at the University of Southern California and Harvard University. Frank was creative at a young age, building imaginary homes and cities from items found in his grandfather’s hardware store. This interest in unconventional building materials would come to characterize Gehry’s architectural work. information via, Ruarte Contract
image via Ruarte Contract
Gehry creates unexpected, twisted forms that break conventions of building design. His work has been called radical, playful, organic, and sensual.
His selection of materials such as corrugated metal lends some of Gehry’s designs an unfinished or even crude aesthetic. This consistent approach has made Gehry one of the most distinctive and easily recognizable designers of the recent past. Critics of Gehry’s work have charged, however, that his designs are not thoughtful of contextual concerns and frequently do not make the best use of valuable urban space.
My first experience of his work in 2007…love at first sight…University of Iowa
His style has been called Deconstructivist —a post-structuralist aesthetic that challenges accepted design paradigms of architecture while breaking with the modernist ideal of form following function.Frank Gehry looks for an architecture more and more free, with virtuous lines and complex forms, in which the light and its reflection is a principal matter. Furthermore, he is unique in the election of materials, each one more and more unusual giving his works an artistic quality unequaled. information via, http://www.biography.com/people/frank-gehry-
Liquid architecture. It’s like jazz—you improvise, you work together, you play off each other, you make something, they make something. And I think it’s a way of—for me, it’s a way of trying to understand the city, and what might happen in the city.”
EMP’s futuristic Frank O. Gehry designed building is constructed of over 21,000 aluminum and stainless steel shingles and 280 steel ribs. If its 400 tons of structural steel were stretched into the lightest banjo string it would extend one-fourth of the way to Venus.
A world-renowned architect, Frank O. Gehry has been the recipient of numerous awards including the Pritzker Architecture Prize (1989), the Dorothy and Lillian Gish Award (1994), the National Medal of Arts (1998), a Gold Medal from the American Institute of Architects (1999), and the Lifetime Achievement Award from Americans for the Arts (2000).
Photo courtesy of EMP staff.Situated at the base of the world-renowned Space Needle
In His Own Words:
“I approach each building as a sculptural object, a spatial container, a space with light and air, a response to context and appropriateness of feeling and spirit. To this container, this sculpture, the user brings his baggage, his program, and interacts with it to accommodate his needs. If he can’t do that, I’ve failed.”— from the 1980 edition of “Contemporary Architects”
“Building a building is like berthing the Queen Mary in a small slip at a marina. There are lots of wheels and turbines and thousands of people involved, and the architect is the guy at the helm who has to visualize everything going on and organize it all in his head. Architecture is anticipating, working with and understanding all of the craftsmen, what they can do and what they can’t do, and making it all come together. I think of the final product as a dream image, and it’s always elusive. You can have a sense of what the building should look like and you can try to capture it. But you never quite do.”— Conversations With Frank Gehry by Barbara Isenberg, p. 62
EMP Museum – Seattle At the base of the Space Needle, Gehry framed the EMP Museum to look as if its steel-and-aluminum skin is flapping in the wake of Seattle’s famous monorail. The building’s remarkable architectural form and sophisticated use of colors and textures can be traced to a melted Stratocaster guitar that served as inspiration to the architect Frank O. Gehry. Architectural Digest
Idiosyncratic as it is said to be, Gehry’s philosophy toward designing is simple. He stays original and attempts to balance out the current trends of plain modernism with his own spice. Gehry mirrors the crazy, chaotic, insane aspects of life in his buildings. Like Gehry said himself, “What is architecture? It’s a three-dimensional object, right? So why can’t it be anything?” www.SilverCreek
EMECO TUYOMYO BENCH DESIGN BY FRANK GEHRY 2009 Emeco with Gehry: A Collaboration in Support of Hereditary Disease Research “Tuyomyo” Yours and Mine: One-of-a-Kind
Gehry had success in the 1970s with his line of Easy Edges chairs made from bent laminated cardboard. By 1991, Gehry was using bent laminated maple to produce the Power Play Armchair. These designs are part of the Museum of Modern Art (MoMA) collection in NYC.
Frank O. Gehry, Easy Edges lounge chair, 1972
One of the more spectacular 70s chairs is Frank O. Gehry’s cardboard chair, Wiggle Side Chair, which is made out of 60 layers of closely compressed …
Frank Gehry Face Off café table and 4 Cross Check arm chairs …
The most prominent influence of Gehry’s childhood was the love of fish. The elements he loved in the fish can be constantly seen in all of his buildings. It got him into thinking freely.
“The fish is a perfect form.” –Frank O. Gehry, 1986
The shape of the fish is what got me thinking freely. Via silvercreek
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Charu worked as an interior designer, and lighting designer for several years in Singapore, and now lives in San Francisco. She is passionate about interior spaces, architecture, furniture, lighting and art. Her unique point of view has evolved through her years spent in countries such as Egypt, Japan, Sri Lanka, India and Singapore.
01, April 2013
“I’m thrilled to dedicate this post to Toyo Ito who recently received the Pritzker Prize for his architectural contributions spanning four decades! For those of you who are unfamiliar with the award, it’s basically the Nobel Prize for the field of architecture .
I could hardly curb my enthusiasm when I heard of this announcement as Toyo Ito’s works were a source of great inspiration to me as a design student. His pursuit of beauty through simple and timeless designs still inspires me and I strive to achieve that in my own work. His works range from designing cups and saucers, mobile dog homes to multi story buildings!
So without further ado, here are some of my favorite Toyo Ito designs: